徐洵蔚（b.1956），生於臺灣臺北。臺灣師範大學美術學系肄業，後取得美國北德州大學美術學士、紐約普拉特藝術學院碩士。研究領域包括素描、複合媒材與裝置藝術。曾獲紐約國家藝術基金美術館特別評審獎、紐約艾斯列美術館二度空間最佳藝術作品獎，並為1991年紐約藝術基金年度得獎藝術家（素描類）。任教於朝陽科技大學視傳系、東海大學美術系、國立臺北藝術大學美術系，並持續創作與參與展覽，亦從事演講、寫作與翻譯等工作。
徐洵蔚（b.1956），生於臺灣臺北。臺灣師範大學美術學系肄業，後取得美國北德州大學美術學士、
紐約普拉特藝術學院碩士。研究領域包括素描、複合媒材與裝置藝術。曾獲紐約國家藝術基金美術館
特別評審獎、紐約艾斯列美術館二度空間最佳藝術作品獎，並為1991年紐約藝術基金年度得獎藝術家
（素描類）。任教於朝陽科技大學視傳系、東海大學美術系、國立臺北藝術大學美術系，並持續創作
與參與展覽，亦從事演講、寫作與翻譯等工作。
Hsu Hsun-Wei (b. 1956) was born in Taipei, Taiwan. She attended the Department of
Fine Arts at National Taiwan Normal University before earning a BFA from the
University of North Texas and a master’s degree from Pratt lnstitute, New York. Her
research interests include drawing, mixed media, and installation art. Her accolades
include the Special Jury Award from the Museum of the National Art Foundation, New
York, the Best 2D Work Award from the lslip Art Museum, New York, and an Artists’
Fellowship in Drawing from the New York Foundation for the Arts (1991). In addition
to maintaining an active studio practice and exhibition schedule, she has taught in
the Department of Visual Communication Design at Chaoyang University of Technology
and the Departments of Fine Arts at Tunghai University and Taipei National
University of the Arts, and remains deeply engaged in lecturing, writing, and
translation.
Hsu Hsun-Wei (b. 1956) was born in Taipei, Taiwan. She attended the Department of
Fine Arts at National Taiwan
Normal University before earning a BFA from the University of North Texas and a
master’s degree from Pratt lnstitute,
New York. Her research interests include drawing, mixed media, and installation
art. Her accolades include the Special
Jury Award from the Museum of the National Art Foundation, New York, the Best 2D
Work Award from the lslip Art
Museum, New York, and an Artists’ Fellowship in Drawing from the New York
Foundation for the Arts (1991). In addi-
tion to maintaining an active studio practice and exhibition schedule, she has
taught in the Department of Visual Com-
munication Design at Chaoyang University of Technology and the Departments of Fine
Arts at Tunghai University and
Taipei National University of the Arts, and remains deeply engaged in lecturing,
writing, and translation.
《煉》，為徐洵蔚1990年炭筆紙本作品。濃重碳筆交織成數條厚實線條與數個黑圈，在畫面共構成一股外放的張力；厚實碳線實為白色細緻線條層層擦拭後留下的痕跡，反映作品女性意象主題去蕪存菁之後的「煉」。作者希望能把性別的意識提升到一個比較並存、對等的位置，而不是對立的關係。大環境讓其領悟到保持自我的獨立性及游離的自主性，並透過創作反思、探索、尋覓、建構境外之想像。簽名：徐洵蔚，HSU，90，NYC。
《煉》，為徐洵蔚1990年炭筆紙本作品。濃重碳筆交織成數條厚實線條與數個黑圈，在畫面
共構成一股外放的張力；厚實碳線實為白色細緻線條層層擦拭後留下的痕跡，反映作品女性
意象主題去蕪存菁之後的「煉」。作者希望能把性別的意識提升到一個比較並存、對等的位
置，而不是對立的關係。大環境讓其領悟到保持自我的獨立性及游離的自主性，並透過創作
反思、探索、尋覓、建構境外之想像。
簽名：徐洵蔚，HSU，90，NYC。
Forge is a charcoal work on paper created by Maggie Hsun-Wei Hsu in 1990.
Heavy charcoal strokes interweave with bold black circles, creating an outward
dynamic tension across the picture plane. The dense charcoal marks are in fact
traces left after repeated erasure has created delicate white lines, reflecting the
“forging’ of the work’s female imagery—distilling the essential by stripping away
the redundant. The artist seeks to frame gender awareness in terms of coexistence
and equality rather than opposition. Her broader circumstances led her to recognize
the importance of preserving her independence and the freedom to remain detached.
Through her art, she reflects, explores, searches, and constructs visions beyond
boundaries..
Forge is a charcoal work on paper created by Maggie Hsun-Wei Hsu in 1990.
Heavy charcoal strokes
interweave with bold black circles, creating an outward dynamic tension across the
picture plane. The
dense charcoal marks are in fact traces left after repeated erasure has created
delicate white lines, re-
flecting the “forging’ of the work’s female imagery—distilling the essential by
stripping away the re-
dundant. The artist seeks to frame gender awareness in terms of coexistence and
equality rather than
opposition. Her broader circumstances led her to recognize the importance of
preserving her indepen-
dence and the freedom to remain detached. Through her art, she reflects, explores,
searches, and con-
structs visions beyond boundaries..
炭筆紙本 1990 | 縱96.8 橫63.5公分 | 2004年入藏 | 國立歷史博物館 | 典藏編號93–00205
炭筆紙本 1990 | 縱96.8 橫63.5公分 | 2004年入藏 | 國立歷史博物館 | 典藏編號93–00205
Charcoal on paper, 1990 | 96.8 × 63.5 cm | Acquired in 2004 | Collection of the
National Museum of History | Accession No. 93-00205
Charcoal on paper, 1990 | 96.8 × 63.5 cm | Acquired in 2004 |
Collection of the National Museum of History | Accession No. 93-00205
