林雪卿（b.1952），生於臺灣新北市。國立臺灣師範大學美術學系畢業，獲日本筑波大學藝術學碩士，為十青版畫會創始會員、臺灣美術院院士，積極推廣臺灣現代版畫藝術。曾任臺北市立大學視覺藝術學系教授，專精各種現代版畫技法，為臺灣少數從事版畫創作的女性藝術家及電腦輔助版畫教學先驅。創作融合東西方哲學與現代精神，探討陰陽、虛實、生命與本土認同，並關注新女性意識與臺灣社會議題。2016年參加本館「大河傳承：十青版畫會42週年展」。
Lin Hsueh-ching (b. 1952) was born in New Taipei City, Taiwan. She graduated from the Department of Fine Arts at National Taiwan Normal University and earned her master’s degree in Art from the University of Tsukuba in Japan. A founding member of the Evergreen Graphic Art Association and a Fellow of the Taiwan Academy of Fine Arts, she has dedicated her career to advancing modern Taiwanese printmaking. Lin previously served as a professor in the Department of Visual Arts at the University of Taipei. Proficient across diverse printmaking media, she stands out as one of Taiwan’s prominent female printmakers and a pioneer in integrating computer-assisted techniques into printmaking education. Her practice synthesizes Eastern and Western philosophical frameworks with contemporary sensibilities, exploring dualities such as yin and yang, presence and absence, vitality, and local identity, while also addressing emerging feminist consciousness and Taiwanese social issues. In 2016, she was featured in the NMH exhibition “Legacy of the Great River: 42nd Anniversary Exhibition of the Evergreen Graphic Art Association.”
《晝與夜Ⅰ》，為林雪卿1998年紙本彩色平版畫作品。以總統府為核心意象，透過超現實手法並置晝夜：白晝總統府與海洋相連，躍起的鮭魚象徵回歸與尋根；夜晚雙十燈飾映照總統府，逼近臺灣的兩團暴風雲則寓意權勢、財團與思想對立對社會局勢的影響。敏銳映照1999年總統大選前夕的政治氛圍，並於2000年首次政黨輪替後更顯預示性，成為極具時代意義的代表作。作品以電腦輔助，融合攝影、繪圖與氣象影像，經四色分色及PS平版套印完成。版次、簽名：A.P.（藝術家自存版）。林雪卿，Hsueh-Ching Lin。
Day and Night I is a color lithograph on paper created by Lin Hsueh-ching in 1998. Centered on the Presidential Office Building in Taipei, the work employs surrealist juxtaposition to contrast day and night. In the daytime scene, the building merges with the ocean as a salmon leaps from the water, symbolizing homecoming and the search for identity. At night, Double Tenth light installations illuminate the structure, while two ominous storm clouds approach Taiwan—allegorizing the social pressures exerted by political factions, corporate conglomerates, and ideological polarizations. Keenly capturing the tense atmosphere ahead of Taiwan’s 2000 presidential election, the work acquired an almost prescient dimension following the country’s historic first peaceful transfer of power, standing today as a landmark work of political commentary. Lin integrated photography, digital drawing, and meteorological data through computer assistance, completing the composition via four-color separation and offset lithography from presensitized (PS) plates.
版畫紙本 1998 | 縱86.8 橫62公分 | 2003年入藏 | 國立歷史博物館 | 典藏編號92–00141
Print on paper, 1998 | 86.8 × 62 cm | Acquired in 2003 | Collection of the National Museum of History | Accession No. 92-00141
《晝與夜 I》
Day and Night I
