王壽蘐・山水｜隱身到現身・國立歷史博物館

王壽蘐（1924–2024），號一真女史，遼寧瀋陽人，生於哈爾濱。早年接受傳統水墨創作訓練，9歲即公開舉行畫展，稟賦優異。二戰後遷臺，在張榖年門下習山水畫藝，創作風貌多樣，舉凡細膩寫實人物肖像、簡筆寫意花鳥、師古卻不泥古的山水、逸筆草草的大寫意均能表現。1981年在臺北自設「藝風堂」，集合有志書畫的女性共同研究畫藝，其後擴大為「中華藝風書畫會」，為當時全國唯一之女性書畫團體。1965年參加本館「當代名家國畫展」，1971年及1997年本館舉辦「王壽蘐畫展」。

Wang Shou-xuan (1924-2024), art name Yizhen Nüshi, was born in Harbin, with ancestral roots in Shenyang, Liaoning. Trained in traditional ink painting from an early age, she demonstrated exceptional talent and held her first public exhibition at just nine years old. After World War II, she relocated to Taiwan, where she studied landscape painting under master Chang Ku-nien. Her oeuvre encompasses a remarkably versatile range of styles—from meticulously rendered, lifelike portraits and bird-and-flower paintings executed with economical freehand brushwork, to landscapes that honor tradition without being bound by it, and bold, spontaneous works in the da xieyi (broad freehand) style. In 1981, Wang founded the Yifeng Studio in Taipei, uniting female artists dedicated to painting and calligraphy. The studio later expanded into the Chinese Yifeng Painting and Calligraphy Society, which was then Taiwan’s only women’s art organization devoted to these disciplines. In 1965, she participated in NMH’s “Exhibition of Ink Painting by Contemporary Masters.” NMH held solo exhibitions of Wang’s work in 1971 and 1997.

Wang Shou-xuan (1924-2024), art name Yizhen Nüshi, was born in Harbin, with ancestral roots in Shenyang, Liaon- ing. Trained in traditional ink painting from an early age, she demonstrated exceptional talent and held her first public exhibition at just nine years old. After World War II, she relocated to Taiwan, where she studied landscape painting under master Chang Ku-nien. Her oeuvre encompasses a remarkably versatile range of styles—from meticulously rendered, lifelike portraits and bird-and-flower paintings executed with economical freehand brushwork, to land- scapes that honor tradition without being bound by it, and bold, spontaneous works in the da xieyi (broad freehand) style. In 1981, Wang founded the Yifeng Studio in Taipei, uniting female artists dedicated to painting and calligraphy. The studio later expanded into the Chinese Yifeng Painting and Calligraphy Society, which was then Taiwan’s only women’s art organization devoted to these disciplines. In 1965, she participated in NMH’s “Exhibition of Ink Painting by Contemporary Masters.” NMH held solo exhibitions of Wang’s work in 1971 and 1997.

《山水》，為王壽蘐水墨設色紙本作品。描繪重巒疊障，雲霧繚繞的磅礡山水氣勢。前景山石嶙峋，老松雜樹挺立，林間樓觀微露，泉瀑奔流，橋上有3名高士觀瀑聽泉，曲徑間有1人挑擔趕路，遠景高山巍峨挺立，山頂礬頭密林，墨暈反襯出雲霧的量感與流動。全幅構景繁茂，用筆細密嚴謹，敷染淡雅。款：王壽蘐。印：王壽蘐。

Landscape is an ink and color on paper painting by Wang Shou-xuan. Layered mountains rise amid swirling clouds and mist, creating a landscape of imposing grandeur. In the foreground, jagged rocks, old pines, and varied trees partially frame buildings nestled within the woods, while torrents of mountain streams plunge downward. On a bridge, three scholars pause to watch the waterfall and listen to the rushing water, as a traveler with a shoulder pole journeys along a winding path. Towering mountains dominate the background, their summits crowned with dense woods and clustered rock formations rendered in the fantou (“alum-head”) technique. Ink washes subtly contrast against the light, imparting a palpable sense of volume and movement to the drifting clouds and mist. Rich in detail and composition, the work pairs meticulous, disciplined brushwork with soft, elegant washes of color.

Landscape is an ink and color on paper painting by Wang Shou-xuan. Layered mountains rise amid swirling clouds and mist, creating a landscape of imposing grandeur. In the foreground, jagged rocks, old pines, and varied trees partially frame buildings nestled within the woods, while torrents of moun- tain streams plunge downward. On a bridge, three scholars pause to watch the waterfall and listen to the rushing water, as a traveler with a shoulder pole journeys along a winding path. Towering moun- tains dominate the background, their summits crowned with dense woods and clustered rock forma- tions rendered in the fantou (“alum-head”) technique. Ink washes subtly contrast against the light, im- parting a palpable sense of volume and movement to the drifting clouds and mist. Rich in detail and composition, the work pairs meticulous, disciplined brushwork with soft, elegant washes of color.

水墨設色紙本　創作年代不詳 | 縱220 橫133公分 | 1968年入藏 | 國立歷史博物館 | 典藏編號27186

Ink and color on paper, date unknown | 220 × 133 cm | Acquired in 1968 | Collection of the National Museum of History | Accession No. 27186

《山水》

Landscape