孫多慈・沉思圖｜隱身到現身・國立歷史博物館

孫多慈（1913–1975），安徽省壽縣人。1931年考入南京中央大學藝術系，師從徐悲鴻。求學期間專攻西畫，又嘗試水墨創作，追求「引西潤中」的繪畫表現。1949年遷臺後任教於臺灣省立師範學院（今國立臺灣師範大學），1963年應中國文化學院（今中國文化大學）創辦人張其昀之邀籌組美術系，獲聘為教授兼系主任。其中西繪畫兼長，引領五月畫會赴美展出，蔚為臺灣第一波現代藝術風潮。參加本館多次國內外展覽，如1962年「現代繪畫赴美展覽預展」（即第六屆五月畫展）及1965年「當代名家國畫展」，1968年受邀派赴本館於伊朗德黑蘭舉辦之「中國國畫展」，2013年本館邀請李既鳴教授（孫多慈外孫女）策辦「回眸有情一孫多慈百年紀念展」。

孫多慈（1913–1975），安徽省壽縣人。1931年考入南京中央大學藝術系，師從徐悲鴻。求學期間專攻西畫，又嘗試水墨創作，追求「引西潤中」的繪畫表現。1949年遷臺後任教於臺灣省立師範學院（今國立臺灣師範大學），1963年應中國文化學院（今中國文化大學）創辦人張其昀之邀籌組美術系，獲聘為教授兼系主任。其中西繪畫兼長，引領五月畫會赴美展出，蔚為臺灣第一波現代藝術風潮。參加本館多次國內外展覽，如1962年「現代繪畫赴美展覽預展」（即第六屆五月畫展）及1965 年「當代名家國畫展」，1968年受邀派赴本館於伊朗德黑蘭舉辦之「中國國畫展」，2013年本館邀請李既鳴教授（孫多慈外孫女）策辦「回眸有情一孫多慈百年紀念展」。

Sun To-ze (1913-1975) was a native of Shou County, Anhui Province. In 1931, she was admitted to the Department of Art at Central University in Nanjing, where she studied under Xu Bei-hong. During her studies, she specialized in Western painting while also experimenting with ink painting, seeking an approach that used Western techniques to enrich Chinese traditions. After relocating to Taiwan in 1949, she joined the faculty of Taiwan Provincial Teachers College (now National Taiwan Normal University). In 1963, at the invitation of Chinese Culture College (now Chinese Culture University) founder Chang Chi-yun, she established its Fine Arts Department and was appointed professor and department chair. Accomplished in both Chinese and Western painting, Sun led the Fifth Moon Group in exhibiting in the United States, contributing to Taiwan’s first wave of modern art. She participated in numerous NMH exhibitions in Taiwan and overseas, including the 1962 “Preview of Modern Paintings for Exhibition in the United States” (the 6th Fifth Moon Exhibition) and the 1965 “Exhibition of Ink Paintings by Contemporary Masters.” In 1968, she was invited to travel to Tehran, Iran, for NMH’s “Exhibition of Ink Painting.” In 2013, NMH invited Professor Lee Chi-ming, Sun’s granddaughter, to curate the “Sun To-ze Centennial Memorial Exhibition.”

Sun To-ze (1913-1975) was a native of Shou County, Anhui Province. In 1931, she was admitted to the Depart- ment of Art at Central University in Nanjing, where she studied under Xu Bei-hong. During her studies, she spe- cialized in Western painting while also experimenting with ink painting, seeking an approach that used Western techniques to enrich Chinese traditions. After relocating to Taiwan in 1949, she joined the faculty of Taiwan Pro- vincial Teachers College (now National Taiwan Normal University). In 1963, at the invitation of Chinese Culture College (now Chinese Culture University) founder Chang Chi-yun, she established its Fine Arts Department and was appointed professor and department chair. Accomplished in both Chinese and Western painting, Sun led the Fifth Moon Group in exhibiting in the United States, contributing to Taiwan’s first wave of modern art. She participated in numerous NMH exhibitions in Taiwan and overseas, including the 1962 “Preview of Modern Paintings for Exhibition in the United States” (the 6th Fifth Moon Exhibition) and the 1965 “Exhibition of Ink Paint- ings by Contemporary Masters.” In 1968, she was invited to travel to Tehran, Iran, for NMH’s “Exhibition of Ink Painting.” In 2013, NMH invited Professor Lee Chi-ming, Sun’s granddaughter, to curate the “Sun To-ze Centen- nial Memorial Exhibition.”

《沉思圖》，為孫多慈1965年白描水墨紙本作品。描繪仕女梳飛天玠髮髻，束結肖尾垂肩。右手倚靠書函扶頭微傾，眼神凝視沉思；姿態類近佛教造像之半跏思惟像。款：沉思圖。乙巳秋日孫多慈作於臺北。印：多慈印信。壽春孫氏。獨與天地精神往來。

Contemplation is an ink on paper painting by Sun To-ze, created in 1965, rendered in the fine-line “baimiao (plain outline)” technique. The work depicts a woman wearing her hair in a feitian ji bun, with the tied ends falling over her shoulders. With her right arm resting on a stack of book cases, she supports her slightly tilted head with her hand, her gaze absorbed in thought. Her pose resembles that of a pensive bodhisattva in a half-lotus position in Buddhist sculpture.

Contemplation is an ink on paper painting by Sun To-ze, created in 1965, rendered in the fine-line “baimiao (plain outline)” technique. The work depicts a woman wearing her hair in a feitian ji bun, with the tied ends falling over her shoulders. With her right arm resting on a stack of book cases, she sup- ports her slightly tilted head with her hand, her gaze absorbed in thought. Her pose resembles that of a pensive bodhisattva in a half-lotus position in Buddhist sculpture.

水墨紙本 1965 | 縱159.5 橫92.5公分 | 1968年入藏 | 國立歷史博物館 | 典藏編號27121

Ink on paper, 1965 | 159.5 × 92.5 cm | Acquired in 1968 | Collection of the National Museum of History | Accession No. 27121

沉思圖

Contemplation