袁樞真・人體之七（側坐）｜隱身到現身・國立歷史博物館

袁樞真（1912–1999），浙江天臺人。1932年就讀上海新華藝術專科學校，陳澄波為其油畫老師。1934年赴日本東京大學研習西畫，後赴法國巴黎國立高等藝術學院專攻油畫，其間與潘玉良熟識；後於重慶藝術專科學校及重慶師範學院任西畫講師。1949年遷臺，先後擔任臺灣省立師範學院藝術系（今國立臺灣師範大學美術學系）副教授及教授、全省省展油畫審查委員等。1984年成立臺北市女畫家聯誼會（今臺北市西畫女畫家畫會），提攜後進。2002年本館舉辦「袁樞真油畫紀念展」。

袁樞真（1912–1999），浙江天臺人。1932年就讀上海新華藝術專科學校，陳澄波為其油畫老師。 1934年赴日本東京大學研習西畫，後赴法國巴黎國立高等藝術學院專攻油畫，其間與潘玉良熟識；後於重慶藝術專科學校及重慶師範學院任西畫講師。1949年遷臺，先後擔任臺灣省立師範學院藝術系（今國立臺灣師範大學美術學系）副教授及教授、全省省展油畫審查委員等。1984年成立臺北市女畫家聯誼會（今臺北市西畫女畫家畫會），提攜後進。2002年本館舉辦「袁樞真油畫紀念展」。

Yuan Chu-sheng (1912-1999) was a native of Tiantai, Zhejiang Province. In 1932, she enrolled at the Xinhua College of Fine Arts in Shanghai, studying oil painting under Chen Cheng-po. She traveled to Japan in 1934 to study Western art at the University of Tokyo, followed by advanced training in oil painting at the École nationale supérieure des Beaux-Arts in Paris, where she formed a close connection with Pan Yu-lin. She subsequently taught Western painting as a lecturer at Chongqing College of Art and Chongqing Normal College. Relocating to Taiwan in 1949, Yuan served as associate professor and professor in the Fine Arts Department at Taiwan Provincial Teachers College (now the Department of Fine Arts at National Taiwan Normal University), while also serving on the jury for the oil painting section of the Taiwan Provincial Fine Arts Exhibition. Dedicated to supporting emerging talent, she founded the Taipei Women Painters Association (now the Taipei Women’s Western Painting Association) in 1984. In 2002, NMH honored her legacy with the “Yuan Chu-sheng Memorial Exhibition of Oil Paintings.”

Yuan Chu-sheng (1912-1999) was a native of Tiantai, Zhejiang Province. In 1932, she enrolled at the Xinhua College of Fine Arts in Shanghai, studying oil painting under Chen Cheng-po. She traveled to Japan in 1934 to study Western art at the University of Tokyo, followed by advanced training in oil painting at the École nationale supérieure des Beaux-Arts in Paris, where she formed a close connection with Pan Yu-lin. She subsequently taught Western painting as a lecturer at Chongqing College of Art and Chongqing Normal College. Relocating to Taiwan in 1949, Yuan served as associate professor and professor in the Fine Arts Department at Taiwan Provincial Teachers College (now the Department of Fine Arts at National Taiwan Normal University), while also serving on the jury for the oil painting section of the Taiwan Provincial Fine Arts Exhibition. Dedicated to supporting emerging talent, she founded the Taipei Women Painters As- sociation (now the Taipei Women’s Western Painting Association) in 1984. In 2002, NMH honored her legacy with the “Yuan Chu-sheng Memorial Exhibition of Oil Paintings.”

《人體之七（側坐）》，為袁樞真1979年油彩畫布作品。其透過靈活穩健的短筆觸，描繪一位裸女閒坐於質樸的山水景致中，傳達人體與大自然一體相融的意涵，畫面純淨明亮，色彩調配精微，此亦為作者的繪畫特色。黃君璧曾云：「袁教授擅長著色，深淺光暗，調配自然，隨意點染，生氣磅礡，栩栩如活，清新有致」。簽名：袁樞真。1979。

Nude VII (Seated Sideways) is an oil painting on canvas by Yuan Chu-sheng, created in 1979. Using deft and assured short brushstrokes, Yuan depicts a nude woman seated at ease within an unadorned landscape, conveying a deep sense of harmony between the human form and nature. The composition is luminous and pure, defined by subtly balanced color palettes that are characteristic of her artistic style. Master painter Huang Chun-pi once noted, “Professor Yuan excelled in the use of color. She handled tonal gradations and light with natural ease, applying touches of pigment freely. Her works brim with vitality and come vividly alive, marked by a rare freshness and refinement.”

Nude VII (Seated Sideways) is an oil painting on canvas by Yuan Chu-sheng, created in 1979. Using deft and assured short brushstrokes, Yuan depicts a nude woman seated at ease within an unadorned landscape, conveying a deep sense of harmony between the human form and nature. The composition is luminous and pure, defined by subtly balanced color palettes that are characteristic of her artistic style. Master painter Huang Chun-pi once noted, “Professor Yuan excelled in the use of color. She han- dled tonal gradations and light with natural ease, applying touches of pigment freely. Her works brim with vitality and come vividly alive, marked by a rare freshness and refinement.”

油彩畫布 1979 | 縱71.5 橫51.5公分 | 2002年入藏 | 國立歷史博物館 | 典藏編號91–00227

Oil on canvas, 1979 | 71.5 × 51.5 cm | Acquired in 2002 | Collection of the National Museum of History | Accession No. 91-00227

《人體之七(側坐)》

Nude VII (Seated Sideways)